CHOREOGRAPHY AND SOUND

EXPLORING NEW WAYS TO EXPERIENCE, INTERPRET AND REFLECT ON ‘PARTIALLY PRESENT’ ARCHITECTURE IN SCALE 1:1 ON-SITE
part of self-initiated research project ‘Evidence of the absent’ & one-year residency
2019

During the residency in 2019 we invited different guests from various disciplines to contribute to and expand the research through their specific approach. London based dancer Emma Hoette and Zürich based musicians Ramon Landolt and David Meier were invited to come with us on-site to share their interpretation on the use of Baugespann and the potential of the ‘space in-between’ it temporarily creates. What happens when we look through the eyes of a dancer, a musician? What new perspectives does this bring?





MARKING TRANSFORMATION

How can movement help us to better understand the scale 1:1 on-site?

As a dancer, it’s common for Emma to use her body, to relate her physical self to the space around her. Especially in this situation, where a future building is simulated in the scale 1:1, but still is incomplete, we thought her way of looking, moving and interpreting would be extremely valuable. 

As opposed to connecting the poles of a Baugespann on paper, when connecting them through movement, we stumbled upon many conflicts of the present situation and the future projections. Also reading the poles, that simulate corners - turned out to be much more difficult then it seemed at first, because the indication of the corners is only to be seen by looking far up, to the ends of the poles, and looking down again, to connect them to the nex one.

Emma performed live on site and in the gallery and together we created a video of the live performance on-site. Afterwards we interviewed her about the experience. 












THE SOUND OF TRANSFORMATION
Ramon and David created a sound installation piece, based on site-specific field recordings. They performed this piece in the gallery, and recorded it on their new album that they are currently mixing and working on (estimated release, Jan 2021).
Can we make the prospective transformation more experienceable through sound?









©rotative studio